Nocturne in Blue and Gold - Whistler |
A
Variation on Whistler’s Old Battersea
Bridge.
The
painting’s full title is Nocturne in Blue and Gold: Old Battersea Bridge.The
image is almost monochrome, but the tiny flashes of gold harmonise with rich
blues and greys to create the painting’s main attraction. The picture is also
loved for its elegant composition ... one soaring vertical, a curving
horizontal above, a straight horizontal below and the muffled dynamism of the boat’s
diagonal... all integrated by an enveloping mist.
I
decided to use what I understand of these elements to create a painting of present-day Dublin. Naturally, I first looked at
the Liffey. But those old bridges are too stolid. Even if one could get down to
muck level, right below them, it’s unlikely that they’d offer any convincing
vertical energy.
The
modern Beckett bridge is rich in possibilities. But the one thing it’ll never provide
is an uncomplicated design... So, I decided to look elsewhere.
Reading
about the bridge that Whistler painted, I discovered that it was built of wood.
I live in Clontarf, within walking distance of the Bull Island Wooden Bridge – immortalised in Joyce’s Portrait of the
Artist.
In
mid November, on a day when low-tide coincided with sunset, I descended to the
mud flats, wearing a pair of borrowed sailing boots. It’s possible to walk
(slowly) to the narrow channel, within 20 meters of the centre of the bridge. I
made some small sketches and took photographs. It was a calm evening. The bridge’s hefty supports were so
perfectly reflected in the water that they seemed to double in height. With
only a small amount of manoeuvring the ESB towers in Ringsend could be seen through
the woodwork. However, they are too far away to usefully echo the vertical lines
of the bridge. So, later, when it came to doing an I-pad sketch, I brought the
towers closer. I expect that, when I paint it on canvas, I’ll
further increase their size.
This
project is not about an attempt to “paint a Whistler”. A rather obvious gap,
between his talent and training and mine, make that idea delusional. However,
what he did... and what I am trying to do... is to capture - with thin layers
of paint - the mysterious and slightly menacing beauty of broad expanses of
water shaped by an urban setting.
I-Pad Sketch by Aidan Hickey |
in Dun Laoghaire, in April 2014. Please watch our Facebook Page for details.
https://www.facebook.com/dublinpainting.sketchingclub
Read more about the original controversy this painting caused by looking up the Tate Blog http://www.tate.org.uk/art/artworks/whistler-nocturne-blue-and-gold-old-battersea-bridge-n01959/text-summary | |||||||||
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